During Morrison’s eight year sojourn in the kingdom, he while living in Cambodia Morrison developed his artwork and technique, mastering ink making using local distillations, which he uses to craft his drawings.  In Cambodia his ink derives from lotus flowers, ever plentiful in the kingdom and symbolic of Buddhism — Sacred Ink so to speak. Likewise, in the Mallee, Morrison uses local flowers, barks and soils to paint his pieces.

While the local artist’s Aussie works focus on monochromatic landscapes, his pieces also incorporate aspects Chinese and Japanese calligraphy. Likewise, his current Paris works exhibit a form of Pointillism, pressing lotus stalks into the ink then onto paper, creating visual impressions filling a page with its markings. Fittingly, Morrison, who originally hails from outback Australia, incorporates elements reminiscent of Aboriginal dot paintings. A single work may total up to 20, 000 impressions. 

Morrison’s love of handmade items remain his forte, as he was previously  known for artisan passementeries decorative arts, hand-trimmings and tassels. His textiles grace Kirribilli House and Vaucluse House in Sydney, and other Historic Homes in the country.

Likewise, numerology has an important element in his art.  Having a background in weaving, Morrison taught himself to repetitively count. Any weaver knows the importance of tallying the number threads and the amount of times the shuttles passing through warp. Consequently, each and every artwork records the actual number of impressions on each. This Paris exhibition has a grand total 23,930 lotus impressions.

Morrison recently left Cambodia for his native Australia due to Covid, and is now renovating a the former St John’s Anglican church in Murrayville  for both home and studio.

Morrison’s  art is holistic and regenerative, while his message is universal.